Erected in Moorfields in 1675, upon the model of the Tuileries, it is said that Louis the Fourteenth was so incensed at the insult offered to his palace, that he had a counterpart of St. There was absolute quiet. He threw the doctor out of the Palazzo on his rear, sending him to the insane plague-infested streets. Opposite the gallows was an open gallery, or scaffolding, like the stand at a racecourse, which, on state occasions, was crowded with spectators. Ennison spoke at last. While this took place, while Quilt thundered at the inner door, and Jack drew back the bolts of the outer, a deep, manly voice was heard chanting—as if in contempt of the general uproar—the following strain:— With pipe and punch upon the board, And smiling nymphs around us; No tavern could more mirth afford Than old Saint Giles's round-house! The round-house! the round-house! The jolly—jolly round-house! "The jolly, jolly round-house!" chorussed Sheppard, as the last bar yielded to his efforts.
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