Her situation was perplexing her very much, and the Widgett atmosphere was lax and sympathetic, and provocative of discussion. Its architecture was richly ornamental, and resembled the style of a triumphal entrance to a capital, rather than a dungeon having battlements and hexagonal towers, and being adorned on the western side with a triple range of pilasters of the Tuscan order, amid the intercolumniations of which were niches embellished with statues. Stanley was inclined to think the censorship should be extended to the supply of what he styled latter-day fiction; good wholesome stories were being ousted, he said, by “vicious, corrupting stuff” that “left a bad taste in the mouth. "Here, Tom," he added, calling to a shop-boy, "run and fetch a constable. Wood," she cried, as the staff fell from his grasp.
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